Academic Work

 

Papers:

February 2020: Paper: “What’s Luke got to do with it? Relating the disputation as portrayed in painting to its textual origins”. Ehrhardt Seminar  at the University of Manchester.

July 2018: Paper: “Jewish Encounters with Disputation Paintings.” British Association for Jewish Studies Conference. University of Durham.

March 2018: paper: “From the Contemporary “Then” to the Contemporary “Now”. Representations of Jews in Painting: William Holman Hunt and Max Liebermann’s Disputation Paintings.” The British Jewish Contemporary Cultures Network, Bangor University.

8th March 2018: Paper for the Ehrhardt Seminar at the University of Manchester: “William Holman Hunt’s The Finding the Saviour in the Temple (1860): Biblical Interpretation and Protestant Aesthetics”.

September 2017: The Pears Institute, Traces: Representations of the Holocaust and Antisemitism in British Film and Television. In collaboration with the British Jewish Contemporary Cultures Network. Paper: The Wicker Man (1973): Film Reflecting the Holocaust.

June 2016: BAHS Conference at UCL: “The Presence of the Holocaust in Society, Politics and Culture circa 1970-2015”.  Paper: The Wicker Man (1973): Film Reflecting the Holocaust.

 

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Detail of a drawing from Max Liebermann’s Zwolfjahrige Jesus im Tempel 1879 (Caroline Kaye)

 

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Detail of a drawing from William Holman Hunt’s The Finding of the Saviour in the Temple 1860 (Caroline Kaye)

 

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Drawing from William Holman Hunt’s The Finding of the Saviour in the Temple 1860          (Caroline Kaye)
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Drawings from William Holman Hunt’s The Finding of the Saviour in the Temple 1860            (Caroline Kaye)